by Jonathan Broxton, with Clark Douglas and Joe Bat

Score of the Year | Composer of the Year | Newcomer of the Year | Song | Re-release or Re-recording | Drama/Romantic Drama | Comedy/Romantic Comedy | Animation | Thriller/Action/Adventure | Fantasy/Science-Fiction/Horror | Documentary | Television | Game | In Memoriam| List of Eligible Scores


MAIN AWARDS

SCORE OF THE YEAR

 No score made as big or lasting impression on me in 2007 than Alexandre Desplat’s THE GOLDEN COMPASS; I always had massive expectations that Desplat’s debut in the fantasy genre would be exceptional, but nothing prepared me for just how amazing this score would be – from the level of detail in the orchestration, to the intricacy of the multitude of inter-weaving themes, to the exhilarating action, to the moments of powerful triumph and thematic beauty, everything about this score worked on every level, and as such is by far the standout score of the year. Desplat’s second most impressive score is still one of the year’s next best: LUST CAUTION’s delicate romance and dreamlike waltzes perfectly captured the all-encompassing passion of the two Chinese protagonists, while commenting on the socio-political undertones of post-WWII China. Similarly, Dario Marianelli’s Oscar-winning ATONEMENT interwove classic British romance and literary allusions by bringing a typewriter into his percussion section, and offsetting it against Jean-Yves Thibaudet’s lush piano and Caroline Dale emotional cello to magnificent effect. French composer Philippe Rombi’s ANGEL was a masterpiece of modern Golden Age scoring, a throwback to the likes of Frank Skinner and Max Steiner with a trio of stunningly-realized, beautifully performed themes to accompany another literary protagonist through her melodramatic life. Finally, Howard Shore showed again that, post-Lord of the Rings, he remains a composer of magnificent dramatic music, endowing David Cronenberg’s Russian mafia drama EASTERN PROMISES with a tragedy-laden string score, anchored by some beautifully somber writing for virtuoso violinist Nicola Benedetti.

In a year which, ultimately, contained a number of strong scores, there were a couple which just missed out on getting nods in the top category, including Carlo Siliotto’s exotic, vibrant Nomad, Michael Giacchino’s effervescent culinary delight Ratatouille, Craig Armstrong and A.R. Rahman’s anachronistic but brilliant Elizabeth: The Golden Age, and two scores by outstanding debutants: Jane Antonia Cornish’s Island of Lost Souls and Fernando Velàzquez’s The Orphanage.


COMPOSER OF THE YEAR

 The Composer of the Year award could never go to anyone except ALEXANDRE DESPLAT: in addition to the aforementioned The Golden Compass and Lust Caution, the exceptionally talented Parisian also lent his talents to the likes of the children’s fantasy Mr. Magorium’s Wonder Emporium (co-scored with Aaron Zigman) and the French wartime drama L’Ennemi Intime, both of which were equally accomplished, beautifully scored, and showed him to have a great deal of versatility. DARIO MARIANELLI’s star continues to rise internationally off the back of the superb, Oscar-winning Atonement, but 2007 also saw this hugely talented Anglo-Italian writing music for films as diverse as the Jodie Foster revenge drama The Brave One and the touching South African drama Goodbye Bafana, indicating that he too has an outstanding future ahead of him. The other three Composer of the Year nominations are as much about consistency and quality of output than any one outstanding moment in 2007: between then, JAMES NEWTON HOWARD, MARK ISHAM and AARON ZIGMAN scored an astonishing 19 films last year, and while not all the titles were earth-shaking hits, titles such as I Am Legend, Charlie Wilson’s War, The Water Horse, Freedom Writers, Gracie and Bridge to Terabithia, coupled with each composer’s quality work ethic, makes them worthy of recognition.


NEWCOMER OF THE YEAR

  • JANE ANTONIA CORNISH
  • JONNY GREENWOOD
  • PHILIP SHEPPARD
  • JEFF TOYNE
  • FERNANDO VELÀZQUEZ
Three composers – Jane Antonia Cornish, Fernando Velàzquez and Jonny Greenwood – could all have had perfectly legitimate claims to making the largest impact of any new composer in 2007. In the end, I had to give the award to JANE ANTONIA CORNISH, for sheer chutzpah, and for being yet another English woman attempting to break the film music glass ceiling in what is still a male-dominated environment. Her score for the Danish fantasy-adventure De Fortabte Sjæles Ø, or Island of Lost Souls, was a gargantuan effort in the classic John Williams mould and, in addition to memorable theme-writing, showed her to have a breathtaking mastery of enormous orchestral and choral forces despite her age and sex. In any other year, FERNANDO VELÀZQUEZ’s score for the Spanish horror film El Orfanato (The Orphanage) would have been a clear winner in this category, so his lack of success should in no way dilute his achievements: El Orfanato is a classically beautiful, thematically rich, exquisitely textured, and very unsettling horror score in a way similar to Jerry Goldsmith’s efforts in the genre, and earmarks the young Spaniard as a talent to watch. JONNY GREENWOOD’s challenging score for There Will Be Blood was 2007’s most divisive score: some loved the English composer’s edgy, atonal string writing, while other’s hated it – but whichever side of the fence your opinion falls, the Radiohead man certainly brought a great deal of creativity and, ultimately, attention to film music this year. Rounding out the nominees are composers JEFF TOYNE and PHILIP SHEPPARD, who each contributed excellent and effective scores for the emotional independent drama Shadow in the Trees, and the space exploration documentary In the Shadow of the Moon respectively.

BEST ORIGINAL SONG

  • ALAN MENKEN and STEPHEN SCHWARTZ for “That’s How You Know” from Enchanted
  • MICHAEL GIACCHINO for “Le Festin” from Ratatouille
  • ALAN MENKEN, STEPHEN SCHWARTZ and CARRIE UNDERWOOD for “Ever Ever After” from Enchanted
  • MELISSA RITTER, DOUG DEANGELIS and NICHOLAS STOLLER for “Blades of Glory” from Blades of Glory
  • MARC SHAIMAN and SCOTT WITTMAN for “Come So Far” from Hairspray
The Best Song category is always an idiosyncratic one, which comes down to personal taste more than anything else. My favorite this year was the delightfully infectious, calypso-inflected “THAT’S HOW YOU KNOW” from Enchanted, performed with cheerful gusto by Amy Adams; interestingly, two of my runners-up features performances by ex-American Idol contestants, including the romantic “EVER EVER AFTER” from Enchanted performed by country music superstar Carrie Underwood, and the rocking title song “BLADES OF GLORY” from Blades of Glory, performed by Bo Bice. Michael Giacchino’s infectious Gallic flair in “LE FESTIN” from Ratatouille was a whimsical, charming delight, perfectly capturing the spirit of the film, while the newly-composed “COME SO FAR” from the irrepressibly sunny Hairspray encompasses the spirit of 1950s rock and roll to a tee.

Special mentions must also go to KATE BUSH for “Lyra” from The Golden Compass, GLENN HANSARD and MARKETA IRGLOVA for “Falling Slowly” from ONCE, ALAN MENKEN and STEPHEN SCHWARTZ for “Happy Working Song” from Enchanted, ALAN MENKEN and STEPHEN SCHWARTZ for “So Close” from Enchanted, ALAN MENKEN and STEPHEN SCHWARTZ for “True Love’s Kiss” from Enchanted, SINÉAD O'CONNOR for “Back Where You Belong” from The Water Horse: Legend of the Deep, MARK OWEN, GARY BARLOW, JASON ORANGE and HOWARD DONALD for “Rule the World” from Stardust, ADAM SCHLESINGER for “Way Back Into Love” from Music and Lyrics, ADAM SCHLESINGER for “Pop Goes My Heart” from Music and Lyrics, HOWARD SHORE and ROGER WATERS for “Hello I Love You” from The Last Mimzy, ALAN SILVESTRI and GLENN BALLARD for “A Hero Comes Home” from Beowulf, EDDIE VEDDER for “Guaranteed” from Into the Wild, and RUFUS WAINWRIGHT for “Another Believer” from Meet the Robinsons.

BEST RE-RELEASE OR RE-RECORDING

  • HOWARD SHORE, PETER JACKSON and PAUL BROUCEK (producers) for Howard Shore’s The Lord of the Rings - The Return of the King: The Complete Recordings (Reprise)
  • DOUGLASS FAKE, NICK REDMAN and MICHAEL MATESSINO (producers) for Jerry Goldsmith’s Alien (Intrada)
  • DOUGLASS FAKE and LUKAS KENDALL (producers) for Jerry Goldsmith’s The Wind and the Lion (Intrada)
  • DOUGLASS FAKE (producer) for Alex North’s 2001: A Space Odyssey (Intrada)
  • JAMES FITZPATRICK (producer) for Miklos Rozsa’s The Private Live of Sherlock Holmes (Tadlow)
2007 may be the greatest year on record for re-releases and re-recordings of classic scores, with labels Intrada and Varese Sarabande leading the way. However, by far the most impressive package of the year was Reprise’s expansive production of the expanded version of the third Lord of the Rings movie, THE RETURN OF THE KING. Over three hours of magnificent music by Howard Shore, detailed and beautiful packaging, and informative liner notes by Doug Adams make this an essential purchase. Elsewhere, it was actually very difficult to pick out the best four from the literally dozens of groundbreaking releases in 2007. Intrada Records released two of Jerry Goldsmith’s classic 1970s scores - ALIEN and THE WIND AND THE LION - with the help of producers Nick Redman and Michael Matessino, and in doing so ensured that both these groundbreaking, enormously enjoyable and influential works were finally available in expanded formats and with much-improved sound. If that was not enough, Intrada also found time to release the original, re-mastered score tracks from Alex North’s rejected score to Stanley Kubrick’s classic 2001: A SPACE ODYSSEY, bringing to life one of the great composer’s most challenging and important works. Finally, and no less importantly, James Fitzpatrick and Silva Screen’s re-recording of Miklos Rozsa’s classic THE PRIVATE LIVE OF SHERLOCK HOLMES is also notable for its excellent performances and expansive, well-informed packaging.


GENRE AWARDS

BEST SCORE - DRAMA OR ROMANTIC DRAMA

 The Oscar and Golden Globe winner for Best Score, and IFMCA’s Score of the Year, ATONEMENT was always going to be tough to beat in this category, and Dario Marianelli’s brand of tragic romance and literary drama proved to be a potent mix. In fact, the drama scores were the dominant bunch for the entire year - LUST CAUTION, ANGEL and EASTERN PROMISES all made my final five for their respective composers Alexandre Desplat, Philippe Rombi and Howard Shore, but what of the fifth title – Carlo Siliotto’s NOMAD? A film made in Kazakhstan, which was released domestically in 2003, it picked up a Golden Globe nomination in 2006 before finally receiving wide distribution this year, and Siliotto’s expansive, ethnically-inflected, thematically rich score truly is one of the highlight of the year. Making use of a large amalgam of indigenous instruments alongside creative vocal effects and a sweeping Western orchestra, Siliotto’s work is sublime, and in another year would probably have been one of the Best Score nominees.

Special mentions should also go to: CRAIG ARMSTRONG and A.R. RAHMAN for Elizabeth: The Golden Age, DAVID ARNOLD for Amazing Grace, KLAUS BADELT for Rescue Dawn, NICK CAVE and WARREN ELLIS for The Assassination of Jesse James by the Coward Robert Ford, ALEXANDRE DESPLAT for L’Ennemi Intime, PATRICK DOYLE for As You Like It, ANNE DUDLEY for Black Book, LUDOVICO EINAUDI for This Is England, STEPHEN ENDELMAN for O Jerusalem, GUY FARLEY for Cashback, JNNY GREENWOOD for There Will Be Blood, LARRY GROUPÈ for Resurrecting the Champ, JAMES NEWTON HOWARD for Charlie Wilson’s War and The Great Debaters, ALBERTO IGLESIAS for The Kite Runner, MARK ISHAM for Freedom Writers, Gracie, In the Valley of Elah and Lions for Lambs, ADRIAN JOHNSTON for Becoming Jane, JAN A.P. KACZMAREK for Evening, STUART MATTHEWMAN for The Astronaut Farmer, MARC STREITENFELD for American Gangster, FREDERIC TALGORN for Moliere, BRIAN TYLER for Partition, and CHRISTOPHER WONG for Journey from the Fall.


BEST SCORE - COMEDY OR ROMANTIC COMEDY

  • ALAN MENKEN for Enchanted (Disney) - review
  • JOHN DEBNEY for Evan Almighty (Varese Sarabande)
  • ENNIO MORRICONE for Tutte Le Donne Della Mia Vita (Atlantic)
  • THEODORE SHAPIRO for Blades of Glory (Lakeshore)
  • LYLE WORKMAN for Superbad (Lakeshore)
It was quite a weak year for comedy scores, so it was almost inevitable that Alan Menken’s score for the Disney live action/animation combo ENCHANTED would end up with top spot. I’m not damning the score with feint praise – the themes are lovely, and there’s a great deal of surprisingly dark and powerful choral action music – but, ultimately there wasn’t a whole lot of competition. John Debney’s score for BRUCE ALMIGHTY was notable for one single, astonishingly beautiful cue, “The Flood”, a stirring piece of religious-flavored action music which lifted the whole album. Elsewhere, Ennio Morricone’s score for the low-key Italian comedy TUTTE LE DONNE DELLA MIA VITA (ALL THE WOMEN IN MY LIFE) was a wonderfully cheerful throwback to those light romance and comedy scores he wrote in the 1970s, and appealed to the nostalgic in me. Teddy Shapiro’s BLADES OF GLORY went down the Elmer Bernstein road of writing serious music for stupid comedies, and was leagues better than the film it accompanied – I just hope the talented composer doesn’t get typecast. And finally, for a complete change of pace, multi-instrumentalist and musician Lyle Workman gathered together a cache or rock and funk legends to perform the rocking score for the smash hit SUPERBAD, thereby proving that, once in a while, even score fans like to get their groove on.

Special mentions should also go to DAVID ARNOLD for Hot Fuzz, TEDDY CASTELLUCCI for Wild Hogs, RANDY EDELMAN for Balls of Fury, CHRISTOPHER LENNERTZ for The Comebacks and Alvin and the Chipmunks, MARC SHAIMAN for The Bucket List, and AARON ZIGMAN for The Jane Austen Book Club.


BEST SCORE - ANIMATION

 Michael Giacchino’s RARTATOUILLE was so far and away the best score for an animated film in 2007 it was almost unfair to everyone else: the life, and energy, and effervescence Giacchino invested in his score made it a sheer delight to experience, and when you add in all the delicious Gallic orchestrations and the numerous flighty action scherzos, it all boils down to a delicious cocktail – a feast for the ears. Harry Gregson-Williams built on the work he did with John Powell in the first two movies, making SHREK THE THIRD more of the same, but the music is so charming and innocently optimistic you don’t mind re-visiting it every couple of years. It was a great disappointment to me that Alf Clausen didn’t get to score THE SIMPSONS MOVIE, but Hans Zimmer still did a pretty good job, twisting and turning Danny Elfman’s iconic main theme to great effect, and investing a great deal of humor into his underscore; finally, Newcomer Robert J. Kral showed a great deal of creativity with limited means in endowing the straight-to-video super-hero flick SUPERMAN: DOOMSDAY with a powerful, triumphant score that magnificently overcame the financial limitations of the project and showcased his excellent and imaginative synthesizer programming.

Special mentions should also go to MYCHAEL DANNA for Surf’s Up, DANNY ELFMAN for Meet the Robinsons, RUPERT GREGSON-WILLIAMS for Bee Movie, JOEL McNEELY for Cinderella III: A Twist in Time, and ALAN SILVESTRI for Beowulf.


BEST SCORE - THRILLER, ACTION OR ADVENTURE

 OK, I admit it: I loved PIRATES OF THE CARIBBEAN: AT WORLD’S END: it’s a definite guilty pleasure, and despite all its obvious flaws and anachronisms remains a hugely enjoyable romp. It helps immensely that Hans Zimmer concentrated mainly on orchestral writing, and managed to weave a clever tapestry of six of seven recurring themes across the Pirates trilogy and some exciting action music, notably the marvelous “Up is Down” cue. Englishman Nicholas Dodd seems finally to be stepping out of the orchestrator’s shadow, writing a distinctly David Arnold-esque swashbuckling score for the French feature L’ILE AUX TRESORS (TREASURED ISLAND). Another score channeling an illustrious predecessor is Joel McNeely’s astonishingly classy, distinctly Herrmannesque thriller score for the turgid Lindsay Lohan movie I KNOW WHO KILLED ME, which possibly marks the greatest distinction between score excellence and movie awfulness in many years. Rather than channeling someone else, David Shire revisited his own stark, isolated 1970s thriller scores for David Fincher’s mesmerizing ZODIAC, and in doing so composed his first mainstream theatrical score for over 20 years; at the absolute other end of the spectrum, up-and-coming composer Jeff Toyne showcased his talent in one of his debut features, SHADOW IN THE TREES, which was by turns starkly beautiful and eerily unsettling.

Special mentions should also go to MARCO BELTRAMI for Live Free or Die Hard and 3:10 to Yuma, PATRICK DOYLE for The Last Legion and Sleuth, ROLFE KENT for The Hunting Party, JOHN POWELL for The Bourne Ultimatum, LALO SCHIFRIN for Rush Hour 3, BRIAN TYLER for War, DEBBIE WISEMAN for Flood, and CHRISTOPHER YOUNG for Spider-Man 3.


BEST SCORE - FANTASY, SCIENCE FICTION OR HORROR

 The overall best score of the year, THE GOLDEN COMPASS is of course the best score in its genre – Alexandre Desplat’s leitmotivic fantasy epic just gets better and better upon repeated listenings: its multitude of themes are richer, the emotion more palpable, and the action more exciting. I actually feel quite sorry for both Jane Cornish and Fernando Velàzquez for being up against Desplat in this category, because both ISLAND OF LOST SOULS and EL ORFANATO are equally superb: the former teeming with powerful, Williams-esque action and sweeping emotion, the latter evoking Jerry Goldsmith’s eerily beautiful thriller scores, which simultaneously unnerve and enchant with their thematic content and their get-under-your-skin dissonance. As if one great fantasy score wasn’t enough, Desplat also found the time to team up with the prolific Aaron Zigman on the whimsical MR MAGORIUM’S WONDER EMPORIUM, which took Depslat’s crafty and intricate orchestrations and dexterous theme-writing to whole new levels. Another relative newcomer, former Michael Kamen protégé Ilan Eshkeri wrote a rousing and action-backed fantasy score for the hugely enjoyable Neil Gaiman adaptation STARDUST, rounding out a very strong year in the fantasy, sci-fi and horror genres, which looks to be getting more and more popular off the back of the Lord of the Rings trilogy.

Special mentions should also go to NATHAN BARR for Hostel Part II, CHRISTOPHE BECK for The Seeker: The Dark is Rising, JOHN FRIZZELL for The Reaping, NICHOLAS HOOPER for Harry Potter and the Order of the Phoenix, JAMES NEWTON HOWARD for I Am Legend and The Water Horse: Legend of the Deep, STEVE JABLONSKY for Dragon Wars, ANDREW LOCKINGTON for Skinwalkers, JOHN OTTMAN for The Invasion, HOWARD SHORE for The Last Mimzy, BRIAN TYLER for Alien vs Predator: Requiem, GABRIEL YARED for 1408, and CHRISTOPHER YOUNG for Ghost Rider.


BEST SCORE - DOCUMENTARY FEATURE

  • GEORGE FENTON for Earth (unreleased)
  • ANNE DUDLEY for Lake of Fire (unreleased)
  • LEE HOLDRIDGE for I Have Never Forgotten You (unreleased)
  • PHILIP SHEPPARD for In the Shadow of the Moon (Lakeshore)
  • JOBY TALBOT for Arctic Tale (Bulletproof)
Special mentions should also go to ARMAND AMAR for Le Premier Cri, BRUNO COULAIS for La Planete Blanche, CHRISTOPHER GORDON for Baba’s Birthday, ERIN O’HARA for Sicko, GRAEME REVELL for Darfur Now, and JEFF RONA for Sharkwater.

BEST SCORE - TELEVISION

  • SIMON BOSWELL for Tin Man (Varese Sarabande)
  • GEORGE S. CLINTON for Bury My Heart At Wounded Knee (Varese Sarabande)
  • MICHAEL GIACCHINO for Lost [Season 3] (unreleased)
  • MURRAY GOLD for Doctor Who [Season 3] (BBC)
  • ANDY PRICE for Robin Hood [Season 1] (BBC)
Special mentions should also go to SEAN CALLERY for 24 [Season 6], JEFF BEAL for Rome [Season 2], JOE HISAISHI for The Story of the Great King and the Four Gods, JAN A.P. KACZMAREK for War and Peace, BEAR McCREARY for Battlestar Galactica [Seasoon 3], TREVOR MORRIS for The Tudors, and DEBBIE WISEMAN for Jekyll.

BEST SCORE – GAME

 Special mentions must also go to STEPHEN BARTON and HARRY GREGSON-WILLIAMS for Call of Duty 4: Modern Warfare, PAWEL BLASZCZAK and ADAM SKORUPA for The Witcher, JAMIE CHRISTOPHERSON for Bladestorm: The Hundred Years' War, JAMIE CHRISTOPHERSON for The Golden Compass, OLIVER DERIVIERE for Obscure 2, GREG EDMONSON for Uncharted: Drake’s Fortune, MICHAEL GIACCHINO for Medal of Honor: Airborne, CHRISTOPHER LENNERTZ for The Simpsons Game, CHRISTOPHER LENNERTZ for Warhawk,JEREMY SOULE for Guild Wars: Eye of the North, NOBUO UEMATSU for Blue Dragon, CRIS VELASCO for Clive Barker's Jericho, and INON ZUR for Crysis.


BEST SCORE – “AS HEARD IN THE FILM”

  • DARIO MARIANELLI for Atonement
  • MICHAEL GIACCHINO for Ratatouille
  • JONNY GREENWOOD for There Will Be Blood
  • DAVID SHIRE for Zodiac
  • HOWARD SHORE for Eastern Promises
Commentary by Clark Douglas
Joe Wright's successfully ambitious period epic is one of the year's strongest films, and has won a great deal of attention from all kinds of awards voters. Keira Knightley and James McAvoy lead a strong cast in this story about a small sin that leads to great consequences. The film is worthy of praise in every department, from the sumptuous cinematography to the passionate performances. Plenty of awards voters and film score fans have all ready tossed many accolades in the direction of Dario Marianelli's original score (it even won the Oscar for Best Original Score), and I'm afraid that I have no choice but to join the masses on this one. Marianelli's music is absolutely essential to the film's success, using great creativity and flair to enhance the movie in numerous ways. The first half of the film is completely monothematic, as Marianelli's fluid main theme carries the action. The music is frequently accompanied by the percussive beats of typewriter keys, and the score genuinely seems to be married to the images it accompanies. This is noted in a cue which suddenly moves from off-screen scoring to onscreen sound as Knightley's character ends the piece with a plucked piano string. The film's second half receives a much more diverse array of music, the most moving of which is arguably the Elegy for Dunkirk, one of the year's finest compositions. Atonement is a film of many attributes, and it's a tribute to Marianelli's talent that the original score is one of the most significant. The best score As Heard in the Film of 2007.

It's music you can taste! Pixar's wonderful new effort RATATOUILLE a not only a feast for the eyes, but for the ears as well... and if you didn't know better, you'd swear it was a feast for the nose and the taste buds. Never has a film done a better job of evoking the smell and taste of a glorious dish of food, which is perhaps surprising when you consider that Ratatouille is an animated effort. Add in a fun story, some likable characters, and superb voice work from an eclectic cast that includes Janeane Garafalo, Patton Oswalt, Ian Holm, and Peter O'Toole, and you've got an immensely enjoyable movie. However, arguably the film's greatest contributor is composer Michael Giacchino, who offers up what may be the most impressive effort of his career to date. The French-flavored score is delightful enough to make the most hardened listener change their mind about accordions, and the song Le Festin is one of the year's very best, but that's not where Giacchino's music shines brightest. No, there's numerous moments in the film where visual color and musical notes fuse to create an intoxicating smell. Watching the film made me want to go find Tom Twyker and demand that he let Giacchino re-score Perfume: The Story of a Murderer. Ratatouille is easily the best-smelling score I've heard this year.

THERE WILL BE BLOOD, Paul Thomas Anderson's sprawling, savage adaptation of Upton Sinclair's Oil! is one of the year's most memorable and compelling films. Daniel Day-Lewis plays Daniel Plainview, a fiercely competitive oilman who begins buying up oil-rich property in a small community. It's an intense and sometimes frightening character study of a man who is willing to do anything in order to stay on top. The film's technical qualities are remarkable, with tremendous cinematography and sound design. However, the most effective contribution (outside of Day-Lewis' performance) may come from composer Johnny Greenwood, who is best known as the guitarist for Radiohead. Greenwood supplies a very aggressive score for strings, scoring the ominous oil wells with savage dissonance and icy chills. The music is bold and fearless, almost always taking center stage when it appears. It adds an extra element of horror and complexity to the film, bringing There Will Be Blood a distinctly creepy feel from the very beginning. On album, the score is a perfectly solid listening experience... but in the film, it's nothing short of darkly magnificent.

I loved this ZODIAC, and I find it a travesty that most of the awards ceremonies seem to have ignored it completely. This isn't the first time David Fincher has dealt with a serial killer (see his excellent Se7en), but it's the first time he's done so in this manner. While Fincher films like Fight Club and Se7en have a very gritty and modern feel, Fincher's visual aesthetic changes entirely in Zodiac is we are placed right in the middle of a darkly beautiful vision of San Francisco in the 1970's. With it's steady, gentle, but urgent pacing, Zodiac suggests landmark 70's films such as All the President's Men, and I dare say that it's just about as good as many of the critically acclaimed dramatic thrillers of the era. The film is aided immensely by the score from composer David Shire, returning to the film scoring scene after a very long hiatus. The score is as marvelously old-fashioned as the film, returning to an era when suspense films were offered intelligent, complex orchestral scores. Shire's music is as subtle a score as you'll hear this year, improving scenes immensely without drawing attention to itself. The notable exception is a brilliant piece of pizzicato writing during a key montage, the kind of piece that makes a seasoned film score fan shake their head and say, They don't write 'em like that anymore.

Director David Cronenberg's classy, intelligent thriller EASTERN PROMISES is one of the auteur's more easily accessible efforts. Much like A History of Violence, Cronenberg works in a less peculiar manner visually, dealing with more recognizable human emotions and less fleshy videotapes, bug-like typewriters and exploding heads. Cronenberg's strange and fascinating films have always been accompanied by strange and fascinating Howard Shore scores. Much like Cronenberg's film, Shore's score also deals more directly with human emotions this time around, and considerably less with dark and challenging musical ideas. In fact, Eastern Promises could easily be described as one of Shore's most attractive scores. That's quite surprising, considering the level of grit and violence throughout Eastern Promises. Shore cleverly offers an advanced form of musical storytelling with his score which I found fascinating. Rather than commenting on what is taking place on-screen (which would require a score quite similar to Shore's other efforts for Cronenberg), Shore reflects on what is taking place beyond the screen. With his theme for the unseen Tatiana (who is nonetheless a major figure in the plot), Shore conjures up a story of great sadness and power. We haven't met Tatiana, but thanks to Cronenberg's direction and Shore's musical ideas, we feel like we know her.

IN MEMORIAM

  • HARVEY COHEN, 14 January
  • PEER RABEN, 21 January
  • KAREL SVOBODA, 28 January
  • GIANCARLO MENOTTI, 1 February
  • FRANKIE LAINE, 6 February
  • RAY EVANS, 15 February
  • HERMAN STEIN, 15 March
  • MSTISLAV ROSTROPOVICH, 27 April
  • GEORGE GREELEY, 26 May
  • DEBBI DATZ-PYLE (orchestra contractor), 17 June
  • MERV GRIFFIN, 12 August
  • LUCIANO PAVAROTTI, 6 September
  • RONNIE HAZLEHURST, 1 October
  • KARL-HEINZ STOCKHAUSEN, 5 December

COMPLETE LIST OF ELIGIBLE SCORES (AND THEIR COMPOSER)

  • 2 DAYS IN PARIS (Julie Delpy), 7 DÍAS (Jeff Cardoni), 7KM DA GERUSALEMME (Aldo De Scalzi and Pivio), THE 11TH HOUR (Jean-Pascal Beintus), 12 (Edward Artemyev), 13 M² (Galiana Sebastian), 3:10 TO YUMA (Marco Beltrami), 14 KILOMETROS (Santi Vega), 12:08 EAST OF BUCHAREST (Rotaria), 28 WEEKS LATER (John Murphy), 30 DAYS OF NIGHT (Brian Reitzell), 2:37 (Mark Tschanz), 88 MINUTES (Edward Shearmur), 300 (Tyler Bates), 881 (Robert Mackenzie), 1408 (Gabriel Yared)
  • À L’INTÉRIEUR (Francois Eudes), A LITTLE TRIP TO HEAVEN (Mugison), A MAN’S FEAR OF GOD (Gökçe Akçelik), A MAN’S JOB (Ville Tanttu), A MIGHTY HEART (Harry Escott and Molly Nyman), AAP KAA SURROOR (Himesh Reshammiya), THE ABANDONED (Alfons Conde), ACROSS THE UNIVERSE (Elliot Goldenthal), ADAM’S APPLES (Jeppe Kaas), AFTER... (John Cameron), AI NO RUKEICHI (Yuko Fujishima), AIR GUITAR NATION (Dan Crane), ALICE NEEL (Jonah Rapino), ALIEN VS. PREDATOR: REQUIEM (Brian Tyler), ALLES IS LIEFDE (Melcher Miermans and Merlijn Snitker), ALLT OM MIN BUSKE (Jean-Paul Walla), ALONE WITH HER (David E. Russo), ALPHA DOG (Aaron Zigman), ALVIN AND THE CHIPMUNKS (Christopher Lennertz), ALWAYS SAN-CHOME NO YUHI 2 (Naoki Sato), AM ENDE KOMMEN TOURISTEN (Uwe Bossenz), AM LIMIT (Dorian Cheah and Christoph Israel), AMAZING GRACE (David Arnold), AMERICAN CANNIBAL (Doug Gillard and Kevin March), AMERICAN GANGSTER (Marc Streitenfeld), AMERICAN PASTIME (Joseph Conlan), AMERICAN PIE: BETA HOUSE (Jeff Cardoni), AMU (Nandlal Naylak), ANCHE LIBERO VA BENE (Banda Osiris), AND WHEN DID YOU LAST SEE YOUR FATHER? (Barrington Pheloung), ANGEL (Philippe Rombi), ANGELS IN THE DUST (Joseph Julián González), ANOTHER GAY MOVIE (Marty Beller), APARECIDOS (Óscar Araujo), APNE (Himesh Reshammiya), APRÈS LUI (Louis Sclavis), AQUA TEEN HUNGER FORCE COLON MOVIE FILM FOR THEATERS (Schoolly D), ARCTIC TALE (Joby Talbot), ARE WE DONE YET? (Teddy Castellucci), ARMIN (Michael Bauer), ARN - KNIGHT TEMPLAR (Tuomas Kantelinen), ARNOLD’S PARK (Tom Hambleton), ARRANGED (Sohrab Habibion and Michael Hampton), THE ART OF CRYING (Karsten Fundal), AS YOU LIKE IT (Patrick Doyle), ASTERIX ET LES VIKINGS (Alexandre Azaria), THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD (Nick Cave and Warren Ellis), THE ASTRONAUT FARMER (Stuart Matthewman), ATASCO EN LA NACIONAL (Angel Luis Fernandez), ATLAS DE GEOGRAFIA HUMANA (Luis Mendo and Bernardo Fuster), ATOM NINE ADVENTURES (Robert Gulya), ATONEMENT (Dario Marianelli), AU-DELÀ DE LA HAINE (Francois Eudes), AUF DER ANDEREN SEITE (Shantel), AUGUST RUSH (Mark Mancina), AVENUE MONTAIGNE (Nicola Piovani), AWAKE (Samuel Sim), AWARAPAN (Pritam Chakraborty), AWAY FROM HER (Jonathan Goldsmith), AZHAGIYA TAMIZH MAGAN (A.R. Rahman), AZUL OSCURO CASI NEGRO (Pascal Gaigne)
  • BACK IN BUSINESS (Mark Thomas), BADLAND (Ludek Drizhal), BAJO LAS ESTRELLAS (Mikel Salas), BALLS OF FURY (Randy Edelman), BANDIDAS (Eric Serra), BATTLE FOR HADITHA (Nick Laird-Clowes), BECAUSE I SAID SO (David Kitay), BECOMING JANE (Adrian Johnston), BEE MOVIE (Rupert Gregson-Williams), BEFORE THE DEVIL KNOWS YOU’RE DEAD (Carter Burwell), BEHIND THE MASK: THE RISE OF LESLIE VERNON (Gordy Haab), BELIEVE IN ME (David Torn), BELLA (Stephen Altman), BEN X (Praga Khan), BEOWULF (Alan Silvestri), BERKELEY (Christopher Franke), BES VAKIT (Arvo Part), BEYOND THE GATES (Dario Marianelli), BEZMIAR SPRAWIEDLIWOSCI (Maciej Muraszko), BHOOL BHULAIYAA (Pritam Chakraborty), BIG BROTHER (Anand Raaj Anand), BIG CITY (Erwann Kermovant), BILLA 07 (Lawrence Raghavendra), BILLY THE KID (Guy Blakeslee and Christian Zucconi), BIS ZUM ELLENBOGEN (Timo Blunck and Ralf Denker), BIZAN (Michiru Oshima), BLACK GOLD (Kunja Chatterton and Matt Coldrick), BLACK IRISH (John Frizzell), BLACK SHEEP (Victoria Kelly), BLACK SNAKE MOAN (Scott Bomar), BLADES OF GLORY (Theodore Shapiro), BLAME IT ON FIDEL (Armand Amar), BLIND DATING (Heitor Pereira), BLINDSIGHT (David Christophere and Nitin Sawhney), BLONDE AMBITION (Mark Irwin), BLOOD AND CHOCOLATE (Reinhold Heil and Johnny Klimek), BLOODRAYNE II: DELIVERANCE (Jessica de Rooij), BOKU WA IMOUTO NI KOI WO SURU (Crystal Kay), BORDERTOWN (Graeme Revell), BOSQUE DE SOMBRAS (Fernando Velàzquez), BOY CULTURE (Ryan Beveridge), BRA BOYS (Macario De Souza and Jamie Holt), BRAND UPON THE BRAIN! (Jason Staczek), BRATZ (John Coda), BREACH (Mychael Danna), BRICK LANE (Jocelyn Pook), BRIDGE TO TERABITHIA (Aaron Zigman), BROOKLYN RULES (Benny Rietveld), BUDDHA’S LOST CHILDREN (Bernard Joosten and S.P. Somtow), BUG (Brian Tyler), BURKE & WILLS (Peter Head), BUTTERFLY ON A WHEEL (Robert Duncan)
  • CAFÉ SOLO O CON ELLAS (Marc De Benito), CANCIONES DE AMOR EN LOLITA’S CLUB (Jose Nieto), CANVAS (Joel Goodman), CAÓTICA ANA (Jocelyn Pook), CAPTIVITY (Marco Beltrami), CARAMEL (Khaled Mouzannar), CARAVAGGIO (Luís Enríquez Bacalov), CARDIOFITNESS (Alberto Caruso), CARTOUCHES GAULOISES (Armand Amar), CASHBACK (Guy Farley), CASSANDRA’S DREAM (Philip Glass), CATACOMBS (Yoshiki Hayashi), CATCH AND RELEASE (Brian Transeau and Tommy Stinson), CE QUE MES YEUX ONT VU (David Moreau), CEMENTO ARMATO (Paolo Buonvino), CENTOCHIODI (Fabio Vacchi), CEUX QUI RESTENT (Béatrice Thiriet), CHAK DE! INDIA (Salim Merchant and Suleman Merchant), CHALK (Chris Jagich), CHARLIE WILSON’S WAR (James Newton Howard), CHEENI KUM (Ilayaraaja), CHERCHE FIANCÉ TOUS FRAIS PAYÉS (Minino Garay), CHINA BLUE (Miriam Cutler), CHOKING MAN, msic by Nico Muhly), CHRONICLE OF AN ESCAPE (Iván Wyszogrod), CHRYSALIS (Jean-Jacques Hertz and François Roy), CHUECATOWN (David San Jose), CINDERELLA III: A TWIST IN TIME (Joel McNeely), CIVIC DUTY (Terry Michael Huud), CLOSE TO HOME (Jonathan Bar-Giora), CODE NAME: THE CLEANER (George S. Clinton), COLMA: THE MUSICAL (H.P. Mendoza), COLOR ME KUBRICK (Bryan Adams), COME L’OMBRA (Tommasso Leddi), COME LE FORMICHE (Guido Freddi), COME TU MI VUOI (Michele Braga), COMEDY OF POWER (Mathieu Chabrol), COMME TOUT LE MONDE (Claude Milot), CONCURSANTE (Victor Reyes), CONGORAMA (Jarby Mccoy), CONSTELLATION (Michael Bearden and Stanley A. Smith), CONTRE-ENQUETE (Krishna Levy), CONTROL (New Order), CONVERSATIONS WITH OTHER WOMEN (Jeff Eden Fair and Starr Parodi), CRAZY EIGHTS (Oliver Glissant and Nick Nolan), CRAZY LOVE (Douglas J. Cuomo), CROSSING THE LINE (Heather Fenoughty), CUT SLEEVE BOYS (Paul Turner)
  • DADDY DAY CAMP (Jim Dooley), DADDY’S LITTLE GIRLS (Camara Kambon), DAI-NIPPONJIN (Towa Tei), DAN IN REAL LIFE (Sondre Lerche), DANSE AVEC LUI (Jean-Claude Petit), DARATT (Wasis Diop), DARFUR NOW (Graeme Revell), DAVID & LAYLA (Richard Horowitz and John Lissauer), DAY WATCH (Yuri Poteyenko), DEAD SILENCE (Charlie Clouser), DEATH AT A FUNERAL (Murray Gold), DEATH SENTENCE (Charlie Clouser), DECEMBER BOYS (Carlo Giacco), DEDICATION (Edward Shearmur), DELIRIOUS (Anton Sanko), DELTA FARCE (James S. Levine), DEMANDEZ LA PERMISSION AUX ENFANTS (François Peyrony), DEN MAN ÄLSKAR (Magnus Jarlbo), DER KLEINE KÖNIG MACIUS (François-Elie Roulin), DESCENT (Alex Moulton), DÉTROMPEZ-VOUS (Jean-Michel Bernard), DEUX VIES PLUS UNE (Arthur H.), DHAMAAL (Adnan Sami), DHAN DHANA DHANA GOAL (Pritam Chakraborty), DHOL (Pritam Chakraborty), DÍAS DE CINE (Miguel Malla), DIE AUFSCHNEIDER (Uli Schobel), DIE DREI RÄUBER (Kenneth Pattengale), DIE FÄLSCHER (Marius Ruhland), DIE HERBSTZEITLOSEN (Luc Zimmermann), DIE NACHT DER LEBENDEN LOSER (Andreas Grimm), DIE WILDEN HÜHNER UND DIE LIEBE (Annette Focks), DIE WILDEN KERLE 4 (Peter Horn and Andrej Melita), DIGGERS (David Mansfield), DISAPPEARANCES (Jeff Claus and Judy Hyman), DISTURBIA (Geoff Zanelli), DLACZEGO NIE! (Maciej Zielinski), DOLPHIN BLUE: FUJI, MOU ICHIDO SORA E (Yoko Ueno), DONKEY XOTE (Andrea Guerra), DONSOL (Jesse Lucas), DOS RIVALES CASI IGUALES (Miguel Malla), DR. PLONK (Graham Tardif), DRAGON WARS (Steve Jablonsky), DREAMING LHASA (Andy Spence), DU BIST NICHT ALLEIN (Jakob Ilja), DU LEVANDE (Benny Andersson), DUCK (Ari Alan Lazar), DUS KHANIYAN (Pritam Chakraborty), DUSKA (Bart Van De Lisdonk)
  • EARTH (George Fenton), EASTERN PROMISES (Howard Shore), EDUART (Kostas Christides and Minos Matsas), EFTER BRYLLUPPET (Johan Soderqvist), EIN FLIEHENDES PFERD (Annette Focks), EKLAVYA: THE ROYAL GUARD (Shantanu Moitra), EL CANTANTE (Willie Colon and Andrés Levin), EL CLUB DE LOS SUICIDAS (Lucio Godoy), EL CORAZÓN DE LA TIERRA (Fernando Orti), EL HOMBRE DE ARENA (Cristina Pato), EL NIÑO DE BARRO (Silvia Amador Garcia), EL ORFANATO (THE ORPHANAGE) (Fernando Velàzquez), EL RATÓN PÉREZ (Daniel Goldberg), ELEVEN MEN OUT (Bardi Johansson and Minus), ELIAS OG KONGESKIPET (Gaute Storaas), ELIZABETH: THE GOLDEN AGE (Craig Armstrong and A.R. Rahman), EMMAS GLÜCK (Christoph Blaser and Steffen Kahles), ENCHANTED (Alan Menken), ENSEMBLE, C’EST TOUT (Frederic Botton), EPIC MOVIE (Edward Shearmur), ETT ÖGA RÖTT (Johan Testad), EVAN ALMIGHTY (John Debney), EVANGELION 1.0: YOU ARE (NOT) ALONE (Shiro Sagisu), EVEN MONEY (Dave Grusin), EVENING (Jan A.P. Kaczmarek), EVERYTHING’S COOL (Stephen Thomas Cavit), EXILED (Dave Klotz and Guy Zerafa), EXTERMINATING ANGELS (Jean Musy), EYE OF THE DOLPHIN (Alan Derian)
  • FAKERS (Kevin Sargent), FALLING FOR GRACE (Andrew Hollander), FANTASTIC FOUR: RISE OF THE SILVER SURFER (John Ottman), FARCE OF THE PENGUINS (Peter Rodgers Melnick), FAT GIRLS (Chris Gubisch), FAY GRIM (Hal Hartley), FEAST OF LOVE (Stephen Trask), FEEL THE NOISE (Andrés Levin), FELIX 2: DER HASE UND DER VERFLIXTE ZEITMASCHINE (Danny Chang), FIDO (Don Macdonald), FIERCE PEOPLE (Nick Laird-Clowes), FIGHTING WORDS (Charles Bernstein), FINDING RIN TIN TIN (Stephen Edwards), FINISHING THE GAME (Brian Tyler), FIRED! (Gary Stockdale), FIREHOUSE DOG (Jeff Cardoni), FIRST BORN (John Frizzell), FIRST SNOW (Cliff Martinez), FLAKES (George S. Clinton), FLOOD (Debbie Wiseman), FLYING: CONFESSIONS OF A FREE WOMAN (Jan Tilmas Schade), FOOL ‘N FINAL (Himesh Reshammiya), FOR THE BIBLE TELLS ME SO (Scott Anderson), FRACTURE (Mychael Danna and Jeff Danna), FRAGILE(S) (Denis Meriaux), FRATRICIDE (Evgueni Galperine), FRED CLAUS (Christophe Beck), FREE RAINER (Adem Ilhan and Andreas Wodraschke), FREEDOM WRITERS (Mark Isham), FRESHMAN ORIENTATION (Tomandandy), FUERTE APACHE (Lucio Godoy), FULL METAL VILLAGE (Peyman Yazdanian), FULL OF IT (John Swihart), FUNNY MONEY (Andrea Morricone), FUTURAMA: BENDER’S BIG SCORE (Christopher Tyng)
  • GABRIEL (Brian Cachia), GEDO SENKI - TALES FROM EARTHSEA (Tamiya Terajima), GENGHIS KHAN: TO THE ENDS OF THE EARTH AND SEA (Taro Iwashiro), GEORGIA RULE (John Debney), GHOST RIDER (Christopher Young), GHOST SON (Paolo Vivaldi), GHOSTS OF CITE SOLEIL (Wyclef Jean and Jerry Duplessis), GIORNI E NUVOLE (Giovanni Venosta), GOAL! 2: LIVING THE DREAM (Stephen Warbeck), GOD GREW TIRED OF US (Jamie Saft), GONE (David Bridie), GONE BABY GONE (Harry Gregson-Williams), GONE WITH THE WOMAN (Aslak Hartberg), GOOD BOY BAD BOY (Himesh Reshammiya), GOOD LUCK CHUCK (Aaron Zigman), GOODBYE BAFANA (Dario Marianelli), GOODBYE MOMO (Emilio Kauderer), GRACE IS GONE (Clint Eastwood), GRACIE (Mark Isham), GRAY MATTERS (Andrew Hollander), GRBAVICA: THE LAND OF MY DREAMS (Enes Zlatar), GREAT WORLD OF SOUND (David Wingo), GRINDHOUSE: PLANET TERROR (Robert Rodriguez and Graeme Revell), GURU (A.R. Rahman)
  • HACK! (Scott Glasgow), HALF MOON (Hossein Alizadeh), HALLOWEEN (Tyler Bates), HÄNDE WEG VON MISSISSIPPI (Natalia Dittrich), HANNAH TAKES THE STAIRS (Kevin Bewersdorf), HANNIBAL RISING (Ilan Eshkeri and Shigeru Umebayashi), HAPPILY N’EVER AFTER (Paul Buckley), HARRY POTTER AND THE ORDER OF THE PHOENIX (Nicholas Hooper), HATCHET (Andy Garfield), HAUNTING VILLISCA (David James Nielsen), HEARTBREAK HOTEL (Per Andréasson), HELLPHONE (Bruno Coulais), HERO (Takayuki Hattori), HERR BELLO (Konstantin Wecker), HET SCHNITZELPARADIJS (Melcher Miermans and Merlijn Snitker), HEYY BABYY (Shankar-Ehsaan-Loy), HITMAN (Geoff Zanelli), HOLLY (Tôn Thât Tiêt), HOLLYWOOD DREAMS (Harriet Schock), HOME OF THE BRAVE (Stephen Endelman), HONEYDRIPPER (Mason Daring), HONEYMOON TRAVELS PVT. LTD. (Vishal-Shekhar), HORS DE PRIX (Camille Bazbaz), HOSTEL 2 (Nathan Barr), HOT FUZZ (David Arnold), HOT ROD (Trevor Rabin), HOTEL TIVOLI (Lucio Godoy), HOW ABOUT YOU (Niall Byrne)
  • I AM LEGEND (James Newton Howard), I HAVE NEVER FORGOTTEN YOU (Lee Holdridge), I KNOW WHO KILLED ME (Joel McNeely), I NOW PRONOUNCE YOU CHUCK AND LARRY (Rupert Gregson-Williams), I SERVED THE KING OF ENGLAND (Ales Brezina), I THINK I LOVE MY WIFE (Marcus Miller), I VICERÈ (Paolo Buonvino), I WANT SOMEONE TO EAT CHEESE WITH (Rob Kolson), I’LL BELIEVE YOU (J.J. McGeehan), IF I DIDN’T CARE (Michael Tremante), IL CAIMANO (Franco Piersanti), IL DOLCE E L’AMARO (Ezio Bosso), IL MIO MIGLIOR NEMICO (Paolo Buonvino), IL NE FAUT JURER... DE RIEN! (François Peyrony), IL RABDOMANTE (Louis Siciliano), IL SOLE NERO (Wojciech Kilar), ILLEGAL TENDER (Heitor Pereira), IN A DAY (Neil Athale), IN BETWEEN DAYS (Asobi Seksu), IN THE HANDS OF GODS (Matthew Rozeik), IN THE HELIOPOLIS FLAT (Tamer Karaouan), IN THE LAND OF WOMEN (Stephen Trask), IN THE NAME OF THE KING: A DUNGEON SIEGE MOVIE (Jessica De Rooij), IN THE PIT (Leonardo Heiblum and Jacobo Lieberman), IN THE SHADOW OF THE MOON (Philip Sheppard), IN THE VALLEY OF ELAH (Mark Isham), INTO GREAT SILENCE (Michael Busch), INTO THE WILD (Michael Brook), INTRODUCING THE DWIGHTS (Martin Armiger), IO, L’ALTRO (Louis Siciliano), IRA & ABBY (Marcelo Zarvos), IRINA PALM (Ghinzu), ISLAND ETUDE (Cincin Lee), ISLAND OF LOST SOULS (Jane Antonia Cornish), ISLANDER (Billy Mallery), IT’S A FREE WORLD… (George Fenton), IT’S HARD TO BE NICE (Srdjan Kurpjel)
  • J’AURAIS VOULU ÊTRE UN DANSEUR (Terry Davies), J’VEAUX PAS QUE TU T’EN AILLES (Christophe Julien), JAB WE MET (Pritam Chakraborty), JACQUOU LE CROQUANT (Laurent Bouttonat), JANI GAL (Karen Homayunfar), JAR CITY (Mugison), JE DÉTESTE LES ENFANTS DES AUTRES (Philippe Cohen-Solal), JEAN DE LA FONTAINE - LE DEFI (Michel Portal), JHOOM BARABAR JHOOM (Shankar-Ehsaan-Loy), JIMMY CARTER: MAN FROM PLAINS (Alejandro Escovedo), JINDABYNE (Paul Kelly), JOSHUA (Nico Muhly), JOURNEY FROM THE FALL (Christopher Wong), JOURNEY TO THE END OF NIGHT (Elia Cmiral), JUNO (Kimya And Mateo Messina Dawson)
  • K3 EN DE KATTENPRINS (Olaf Janssens), KAAFILA (Sukhwinder Singh), KAIDAN (Kenji Kawai), KAMEN RIDER THE NEXT (Goro Yasukawa), KANTOKU - BANZAI! (Shinichiro Ikebe), KAPITEIN ROB EN HET GEHEIM VAN PROFESSOR LUPARDI (Maarten Spruijt and Fred Vogels ), KEIN BUND FÜRS LEBEN (Helmut Zerlett and Christoph Zirngibl), KENNY (Richard Pleasance), KICKIN’ IT OLD SCHOOL (James Venable), KICKS (Vincent Van Warmerdam), KID SVENSK (Jutta Rintamäki), KING OF CALIFORNIA (David Robbins), KING OF FIRE (Richard Harvey), KINGS (Pol Brennan), KNOCKED UP (Loudon Wainwright), KOROWOD (Pawel Szymanski), KURT COBAIN: ABOUT A SON (Steve Fisk and Benjamin Gibbard), KYA LOVE STORY HAI (Pritam Chakraborty)
  • L’ÂGE D’HOMME... MAINTENANT OU JAMAIS! (Mathieu Aschehoug and Tal Haddad), L’ÂGE DES TÉNÈBRES (Philippe Miller), L’ARIA SALATA (Luca Tozzi), L’AUBERGE ROUGE (Alexandre Azaria), L’ENNEMI INTIME (Alexandre Desplat), L’HEURE ZÉRO (Reinhardt Wagner), L’HISTOIRE DE RICHARD O (Buck 65), L’ÎLE AUX TRESORS (Nicholas Dodd), L’INCHIESTA (THE INQUIRY) (Andrea Morricone), L’UOMO DI VETRO (Andrea Guerra), L’UOMO PRIVATO (Luís Enríquez Bacalov), LA CARTA ESFÉRICA (Bingen Mendizabal), LA CENA PER FARLI CONOSCERE (Riz Ortolani), LA CHAMBRE DES MORTS (Nathaniel Mechaly), LA FACE CACHÉE (Laurent Bertaud), LA FILLE COUPÉE EN DEUX (Mathieu Chabrol), LA FRANCE (Benjamin Esdraffo and Laurent Talon), LA HABITACIÓN DE FERMAT (Federico Jusid), LA HORA FRÍA (Alfons Conde), LA MAISON (Jean Massicotte), LA MASSERIA DELLE ALLODOLE (Giuliano Taviani), LA MÔME (LA VIE EN ROSE) (Christopher Gunning), LA NOCHE DE LOS GIRASOLES (Krishna Levy), LA RAGAZZA DEL LAGO (Teho Teardo), LA REINE SOLEIL (Didier Lockwood), LA SECONDA NOTTE DI NOZZE (Riz Ortolani), LA TERZA MADRE (Claudio Simonetti), LA TÊTE DE MAMAN (Eric Neveux), LA TORRE DE SUSO (Javier Tejedor), LA TOURNEUSE DE PAGES (Jérôme Lemonnier), LA VÉRITÉ OU PRESQUE (Pierre Adenot), LA VIE D’ARTISTE (Tim And Sean O’hagan Gane), LA ZONA (Fernando Velàzquez), LADRON QUE ROBA A LADRON (Andrés Levin), LADRONES (Federico Jusid), LAGA CHUNARI MEIN DAAG - JOURNEY OF A WOMAN (Shantanu Moitra), LAITAKAUPUNGIN VALOT (Melrose), LAKE DEAD (Mark Petrie), LAKE OF FIRE (Anne Dudley), LARS AND THE REAL GIRL (David Torn), LAS 13 ROSAS (Roque Banos), LAST LOVE (Michiru Oshima), LAST MINUTE MAROCCO (Aldo de Scalzi and Pivio), LAURA SMILES (John M. Davis), LE CANDIDAT (Olivier Innocenti and Christophe Oger), LE COEUR DES HOMMES 2 (Béatrice Thiriet), LE DERNIER GANG (Nathaniel Mechaly), LE DEUXIÈME SOUFFLE (Bruno Coulais), LE PLANÈTE BLANCHE (Bruno Coulais), LE PREMIER CRI (Armand Amar), LE PRIX À PAYER (Philippe Eidel), LE RAGIONI DELL’ARAGOSTA (Riccardo Giagni and Maurizio Rizzuto), LE SCAPHANDRE ET LE PAPILLON (Paul Cantelon), LE SERPENT (Renaud Barbier), LEO (Jon Ekstrand), LES AMBITIEUX (Grégoire Hetzel), LES AMOURS D’ASTRÉE ET DE CÉLADON (Jean-Louis Valero), LES CHANSONS D’AMOUR (Alex Beaupain), LES DEUX MONDES (Richard Harvey), LES FILLES DU BOTANISTE (Eric Levi), LES TÉMOINS (Philippe Sarde), LICENSE TO WED (Christophe Beck), LIFE IN A METRO (Pritam Chakraborty), LIKE MINDS (Carlo Giacco), LINAS KVALLSBOK (Adam Norden), LIONS FOR LAMBS (Mark Isham), LISSI UND DIE WILDE KAISER (Ralf Wengenmayr), LIVE FREE OR DIE (Stevie Salas), LIVE FREE OR DIE HARD (Marco Beltrami), LOLA (Stefano Zazzera), LONELY HEARTS (Mychael Danna), LOOK (Brian Transeau), LOS TOTENWACKERS (Eugenio Mira), LOVE AND OTHER DISASTERS (Alexandre Azaria), LOVE IN THE TIME OF CHOLERA (Antonio Pinto), LOVE SICKNESS (Omar Silva), LUCKY MILES (Trilok Gurtu), LUCKY YOU (Christopher Young), LUPIN III: CASTLE OF CAGLIOSTRO (Yuji Ono), LUST, CAUTION (Alexandre Desplat)
  • M FOR MOTHER (Arya Azminejad), MA FILLE MON ANGE (Normand Corbeil), MA PLACE AU SOLEIL (Jean-Michel Bernard), MA TANTE ALINE (Benoit Charest), MAGICIANS (Paul Englishby), MAIKO HAAAAN!!! (Taro Iwashiro), MAMA’S BOY (Mark Mothersbaugh), MAN IN THE CHAIR (Laura Karpman), MAN TO MAN (Patrick Doyle), MANDA BALA (Force Theory), MANUFACTURED LANDSCAPES (Dan Driscoll), MARADONA: LA MANO DI DIO (Aldo de Scalzi and Pivio), MARCUS (George Shaw), MARIGOLD (Graeme Revell), MARTIAN CHILD (Aaron Zigman), MASKELI BESLER: IRAK (Cem Erman), MATAHARIS (Lucio Godoy), MATRIMONIO ALLE BAHAMAS (Riccardo Eberspacher), MAX MINSKY UND ICH (Christophe Kaiser and Julian Maas), MEDUZOT (Christopher Bowen), MEET THE ROBINSONS (Danny Elfman), MEETING RESISTANCE (Richard Horowitz), MEIN FÜHRER (Niki Reiser), MEINE SCHONE BESCHERUNG (Loy Wesselburg), MI FIDO DI TE (Paolo Jannacci), MICHAEL CLAYTON (James Newton Howard), MICHOU D’AUBER (Alexandre Desplat), MIGUEL AND WILLIAM (Stephen Warbeck), MILANO PALERMO: IL RITORNO (Pino Donaggio), MILAREPA (Joel Diamond), MIRAI YOSOUZU (Taro Iwashiro), MOLIÈRE (Frederic Talgorn), MONGOL (Tuomas Kantelinen), MOONDANCE ALEXANDER (Mark Thomas), MOORDWIJVEN (Dick Maas), MOVING McALLISTER (Didier Rachou), MR. BEAN’S HOLIDAY (Howard Goodall), MR. BLUE SKY (Mark Petrie), MR. BROOKS (Ramin Djawadi), MR. MAGORIUM’S WONDER EMPORIUM (Alexandre Desplat and Aaron Zigman), MR. UNTOUCHABLE (Hi-Tek), MR. WOODCOCK (Theodore Shapiro), MRS. RATCLIFFE’S REVOLUTION (Robert Lane), MUK GONG (Kenji Kawai), MULBERRY STREET (Andreas Kapsalis), MUSIC AND LYRICS (Adam Schlesinger), MUSIC WITHIN (James T. Sale), MY BEST FRIEND (Xavier Dermeliac), MY BLUEBERRY NIGHTS (Shigeru Umebayashi), MY BROTHER (John Califra), MY ENEMY’S ENEMY (Alex Heffes), MY KID COULD PAINT THAT (Rondo Brothers)
  • NAKED BOYS SINGING (Nic Ten Broek), NAMASTEY LONDON (Himesh Reshammiya), NANCY DREW (Ralph Sall), NANKING (Phil Marshall), NAQAAB: DISGUISED INTENTIONS (Pritam Chakraborty), NATIONAL TREASURE: BOOK OF SECRETS (Trevor Rabin), NAZARENO (Kollektive Rua), NE LE DIS A PERSONNE (Mathieu Chedid), NE TOUCHEZ PAS LA HACHE (Pierre Allio), NEUES VOM WIXXER (Helmut Zerlett and Christoph Zirngibl), NEXT (Mark Isham), NICHT ALS GESPENSTER (Martin Todsharow), NIGHTMARE MAN (Christopher Farrell), NINA FRISK (Anders Nygards), NINA’S HEAVENLY DELIGHTS (Steve Isles), NITRO (F.M. Le Sieur), NO COUNTRY FOR OLD MEN (Carter Burwell), NO END IN SIGHT (Peter Nashel), NO RESERVATIONS (Philip Glass and Conrad Pope), NOELLE (Andrew Ingkavet), NOISE (Bryony Marks), NOMAD (Carlo Siliotto), NON PRENDERE IMPEGNI STASERA (Luigi Seviroli), NORBIT (David Newman), NOS AMIS LES TERRIENS (Loïc Erienne and Alexandre Jaffray), NOS JOURS HEUREUX (Frederic Talgorn), NOTTE PRIMA DEGLI ESAMI - OGGI (Bruno Zambrini), NOTTORNO BUS (Franco Piersanti), NUOVOMONDO (Antonio Castrigano)
  • O JERUSALEM (Stephen Endelman), OCEAN’S THIRTEEN (David Holmes), ODETTE TOULEMONDE (Nicola Piovani), OFF THE GRID (Christopher Libertino), OFFSIDE (Yuval Barzani and Korash Bozorgpour), OM SHANTI OM (Vishal-Shekhar), ON THE WINGS OF DREAMS (Golan Rabbany Biplob), ONE WAY (Stefan Hansen and Dirk Reichardt), OPEN WATER 2: ADRIFT (Gerd Baumann), OSWALD’S GHOST (Gary Lionelli), OUTLAW (David Julyan), OUTSOURCED (B.C. Smith), OVIEDO EXPRESS (Carles Cases)
  • P.S. I LOVE YOU (John Powell), P2 (Tomandandy), PADRE NUESTRO (Angela Acuña), PARS VITE ET REVIENS TARD (Patrick Doyle), PARS: KIRAZ OPERASYONU (Srdjan Kurpjel), PARTITION (Brian Tyler), PARTNER (Wajid Ali), PASSAGE TO ZARAHEMLA (Sam Cardon), PATHFINDER: LEGEND OF THE GHOST WARRIOR (Jonathan Elias), PERFECT STRANGER (Antonio Pinto), PERSEPOLIS (Olivier Bernet), PIANO NO MORI (Keisuke Shinohara), PIANO, SOLO (Lele Marchitelli), PIERREPOINT (Martin Phipps), PIRATES OF THE CARIBBEAN: AT WORLD’S END (Hans Zimmer), PORA UMIERAC (Wlodzimierz Pawlik), PORNORAMA (Florian Tessloff), POSTCARDS FROM LENINGRAD (Camilo Froideval), PREMONITION (Klaus Badelt), PRÊTE-MOI TA MAIN (Erwann Kermovant), PRIDE (Aaron Zigman), PRIMEVAL (John Frizzell), PRIMO LEVI’S JOURNEY (Daniele Sepe), PRIVATE FEARS IN PUBLIC PLACES (Mark Snow), PROJEKT GOLD (Rainer Michel and Ali Neander), PROVA A VOLARE (Roberto Mazzanti), PROVOKED: A TRUE STORY (A.R. Rahman), PUCCINI FOR BEGINNERS (Terry Dame), PUCKED (Stewart Copeland)
  • QUANTUM HOOPS (Brian Arbuckle), QUATRE ÉTOILES (Andre Manoukian), QUEST FOR A HEART (Tuomas Kantelinen), QUIÉREME (Xavier Capellas), QUIET CITY (Keegan De Witt)
  • RACE YOU TO THE BOTTOM (Ryan Beveridge), RADIANT CITY (Joey Santiago), RAILS & TIES (Kyle Eastwood and Michael Stevens), RAM GOPAL VARMA KI AAG (Ganesh Hegde and Prasanna Shekhar), RANDY AND THE MOB (John Swihart), RAQEEB (Pritam Chakraborty), RATATOUILLE (Michael Giacchino), RAZZLE DAZZLE: A JOURNEY INTO DANCE (Roger Mason), REDLINE (Ian Honeyman and Andrew Raiher), REIGN OVER ME (Rolfe Kent), REINE GESCHMACKSACHE (Martina Eisenreich), RENDITION (Paul Hepker and Mark Kilian), RENNSCHWEIN RUDI RUSSEL 2 (Marcel Barsotti), RENO 911!: MIAMI (Craig Wedren), RESCUE DAWN (Klaus Badelt), RESERVATION ROAD (Mark Isham), RESIDENT EVIL: EXTINCTION (Charlie Clouser), RESURRECTING THE CHAMP (Larry Groupé), RETURN OF THE STORKS (Matthias Raue), RETURN WITH HONOR: A MISSIONARY HOMECOMING (Rich Ragsdale), REVOLVER (Nathaniel Mechaly), RIGHT AT YOUR DOOR (Tomandandy), RISE: BLOOD HUNTER (Nathan Barr), RIVER QUEEN (Karl Jenkins), ROCK HAVEN (Jack Curtis Dubowsky), ROCKET SCIENCE (Eef Barzelay), ROMAN DE GARE (Alex Jaffray), ROMANCE & CIGARETTES (Paul Chihara), ROMULUS, MY FATHER (Basil Hogios), RUN, FAT BOY, RUN (Alex Wurman), RUSH HOUR 3 (Lalo Schifrin)
  • S.O.S. LOVE (Robert Gulya), SA MAJESTÉ MINOR (Javier Navarrete), SAAWARIYA (Ismail Darbar and Monty Sharma), SACCO AND VANZETTI (John T. La Barbera), SAIBOGUJIMAN KWENCHANA (Yeong-Wook Jo ), SAINT-JACQUES: LA MECQUE (Madeleine Besson and Sylvain Dubrez), SAKURAN (Ringo Shiina), SALAAM-E-ISHQ (Shankar-Ehsaan-Loy), SALIR PITANDO (Federico Jusid), SALVADOR (Luis Llach), SANXIA HAOREN (Lim Giong), SARAH LANDON AND THE PARANORMAL HOUR (Joseph Conlan), SATANÁS (Angelo Milli), SAW IV (Charlie Clouser), SCHWERE JUNGS (Gerd Baumann), SCORPION (Christian Henson), SCREAM OF THE ANTS (Craig Pruess), SCRIVILO SUI MURI (Francesco Cerasi), SEA MONSTERS: A PREHISTORIC ADVENTURE (Richard Evans and David Rhodes), SEA OF DREAMS (Luís Enríquez Bacalov), SECRET SUNSHINE (Christian Basso), SELF-MEDICATED (Anthony Marinelli), SEPTEMBER DAWN (William Ross), SERAPHIM FALLS (Harry Gregson-Williams), SEUNG SING (Kwon Wing Chan), SHABEREDOMO SHABEREDOMO (Goro Yasukawa), SHADOW IN THE TREES (Jeff Toyne), SHAKALAKA BOOM BOOM (Himesh Reshammiya), SHANKARDADA ZINDABAD (Devi Sri Prasad), SHARK BAIT (Christopher Lennertz), SHARKWATER (Jeff Rona), SHOOT ‘EM UP (Paul Haslinger), SHOOTER (Mark Mancina), SHOOTOUT AT LOKHANDWALA (Shibani Kashyap and Mika Mehndi), SHOTGUN STORIES (Lucero), SHREK THE THIRD (Harry Gregson-Williams), SHROOMS (Dario Marianelli), SI C’ÉTAIT LUI (Christophe Julien), SI J’ÉTAIS TOI (Nathaniel Mechaly), SI LE VENT SOULÈVE LES SABLES (Rene-Marc Bini), SICKO (Erin O’Hara), SIETE MESAS DE BILLAR FRANCÉS (Pascal Gaigne), SILK (Ryuichi Sakamoto), SING NOW OR FOREVER HOLD YOUR PEACE (Jeff Cardoni), SIVAJI (A.R. Rahman), SKID ROW (Craig Eastman), SKINWALKERS (Andrew Lockington), SLEEPING DOGS LIE (Gerald Brunskill), SLEUTH (Patrick Doyle), SLINGSHOT (Carlo Giacco and Brendan Ryan), SLIPSTREAM (Anthony Hopkins), SLOW BURN (Jeff Rona), SMALL ENGINE REPAIR (Niall Byrne), SMILEY FACE (David Kitay), SMOKIN’ ACES (Clint Mansell), SMS - SOTTO MENTITE SPOGLIE (Lucio Dalla), SOLOMETRO (Emilio Tieri), SOLSTORM (Jimmy Lagnefors), SONO TOKI WA KARE NI YOROSHIKU (Suguru Matsutani), SOREDEMO BOKU WA YATTENAI (Yoshikazu Suo), SOUTHLAND TALES (Moby), SPARKLE (Adrian Johnston), SPIDER-MAN 3 (Christopher Young), SPLINTER (Jae Chong), STARDUST (Ilan Eshkeri), STARTER FOR TEN (Blake Neely), STARTING OUT IN THE EVENING (Adam Gorgoni), STEAK (Quentin Dupieux), STEAL A PENCIL FOR ME (Joseph Julián González), STEEL CITY (Mike Geary), STEEP (Anton Sanko and Victor Magro), STELLUNGSWECHSEL (Marc-Sidney Muller), STEPHANIE DALEY (David Mansfield), STOMP THE YARD (Ali Muhammad), STRAIGHTHEADS (Ilan Eshkeri), STREET THIEF (Phirefones), STRENGTH AND HONOUR (Ilan Eshkeri), STRIKE (Jean-Michel Jarre), SUBLIME (Anthony Marinelli), SUGARHOUSE (Michael Price), SUKIYAKI WESTERN DJANGO (Koji Endo), SUMMER ‘04 (Ellen Mcilwaine), SUMMER IN BERLIN (Pascal Comelade), SUNFLOWER (Lin Hai), SUNSHINE (John Murphy), SUPERBAD (Lyle Workman), SUPERMAN: DOOMSDAY (Robert J. Kral), SURF’S UP (Mychael Danna), SYDNEY WHITE (Deborah Lurie), SZTUCZKI (Tomasz Gassowski)
  • TA RA RUM PUM (Vishal-Shekhar), TAARE ZAMEEN PAR (Shankar-Ehsaan-Loy), TAI YANG ZHAO CHANG SHENG QI (Joe Hisaishi), TAKING LIBERTIES (Vincent Watts), TALK TO ME (Terence Blanchard), TAXI TO THE DARK SIDE (Ivor Guest), TAXIDERMIA (Amon Tobin), TEKKON KINKREET (Plaid), TEN ‘TIL NOON (Joe Kraemer), TERESA: EL CUERPO DE CRISTO (Angel Illaramendi), TERROR’S ADVOCATE (Jorge Arriagada), TESTOSTERON (Stanislas Syrewicz), THE BAND’S VISIT (Habib Shadah), THE BLACK PIMPERNEL (Jacob Groth), THE BOURNE ULTIMATUM (John Powell), THE BOY WHO CRIED BITCH: THE ADOLESCENT YEARS (Robert Gulya), THE BRAVE ONE (Dario Marianelli), THE BREED (Marcus Trumpp), THE BROTHERS SOLOMON (John Swihart), THE BUBBLE (Ivri Lider), THE BUCKET LIST (Marc Shaiman), THE CAMDEN 28 (Anthony Whittenberg), THE CATS OF MIRIKITANI (Joel Goodman), THE CHRISTMAS MIRACLE OF JONATHAN TOOMEY (Guy Farley), THE CLASS (Martin Kallasvee and Paul Oja), THE COMEBACKS (Christopher Lennertz), THE CONDEMNED (Graeme Revell), THE DARWIN AWARDS (David Kitay), THE DEATHS OF IAN STONE (Elia Cmiral), THE DEVIL CAME ON HORSEBACK (Paul Brill), THE EX (Edward Shearmur), THE FINAL SEASON (Nathan Wang), THE GAME PLAN (Nathan Wang), THE GENIUS CLUB (Daniel Bijan), THE GIRL NEXT DOOR (Ryan Shore), THE GOLDEN COMPASS (Alexandre Desplat), THE GOOD NIGHT (Alec Puro), THE GREAT DEBATERS (James Newton Howard), THE HEARTBREAK KID (Brendan Ryan and Bill Ryan), THE HILLS HAVE EYES II (Trevor Morris), THE HITCHER (Steve Jablonsky), THE HOAX (Carter Burwell), THE HOME SONG STORIES (Anthony Partos), THE HOST (Byung Woo Lee), THE HOTTEST STATE (Jesse Hareis), THE HUNTING PARTY (Rolfe Kent), THE INNER LIFE OF MARTIN FROST (Laurent Petitgrand), THE INVASION (John Ottman), THE INVISIBLE (Marco Beltrami), THE IRON MAN (Aldo Shllaku), THE ITALIAN (Alexander Knaifel), THE JAMMED (Grant Innes McLachlan), THE JANE AUSTEN BOOK CLUB (Aaron Zigman), THE KING OF KONG: A FISTFUL OF QUARTERS (Craig Richey), THE KINGDOM (Danny Elfman), THE KITE RUNNER (Alberto Iglesias), THE KNOT (Zou Ye), THE KOVAX BOX (Roque Banos), THE LAST LEGION (Patrick Doyle), THE LAST MIMZY (Howard Shore), THE LAST SIN EATER (Mark McKenzie), THE LAST WINTER (Jeff Grace and Anton Sanko), THE LEGEND TRIP (Leigh Phillips), THE LIFE OF REILLY (Frank L. Anderson), THE LIST (James Covell), THE LOOKOUT (James Newton Howard), THE MAGIC FLUTE (James Conlon), THE MESSENGERS (Joseph Lo Duca), THE MIST (Mark Isham), THE NAMESAKE (Nitin Sawhney), THE NANNY DIARIES (Mark Suozzo), THE NINES (Alex Wurman), THE NUMBER 23 (Harry Gregson-Williams), THE OTHER SIDE (Kristopher Carter), THE PERFECT HOLIDAY (Christopher Lennertz), THE POPE’S TOILET (Gabriel Casacuberta and Luciano Supervielle), THE PROTAGONIST (Jeff Beal), THE REAPING (John Frizzell), THE RUSSIAN TRIANGLE (Vakhtang Kakhidze), THE SASQUATCH GANG (John Swihart), THE SAVAGES (Stephen Trask), THE SEEKER: THE DARK IS RISING (Christophe Beck), THE SILLY AGE (Ulises Hernandez), THE SIMPSONS MOVIE (Hans Zimmer), THE SITUATION (Jeff Beal), THE TEN (Craig Wedren), THE TEN COMMANDMENTS (Reg Powell), THE THIRD EYE (Jeff Toyne), THE THREE INVESTIGATORS AND THE SECRET OF SKELETON ISLAND (Annette Focks), THE TOYBOX (Miguel d'Oliveira), THE TRAIN (Mithun Sharma), THE TRAP (Mario Schneider), THE TREATMENT (John Zorn), THE TRIPPER (Jimmy Haun and David Wittman), THE TV SET (Michael Andrews), THE UGLY DUCKING AND ME (Jacob Groth), THE ULTIMATE GIFT (Mark McKenzie), THE VALET (Alexandre Desplat), THE VIOLIN (Armando Rosas and Cuauhtémoc Tavira), THE WALKER (Anne Dudley), THE WAR ON DEMOCRACY (Jesper Mattsson and Makoto Sakamoto), THE WATER HORSE: LEGEND OF THE DEEP (James Newton Howard), THE WHITE SILK DRESS (Tri Duc), THE WILLOW TREE (Ahmed Pezhman), THE WITCHES HAMMER (Mark Conrad Chambers), THE WOLFHOUND (Aleksei Rybnikov), THE YEAR MY PARENTS WENT ON VACATION (Beto Villares), THERE WILL BE BLOOD (Jonny Greenwood), THINGS WE LOST IN THE FIRE (Johan Soderqvist and Gustavo Santaolalla), THIS CHRISTMAS (Marcus Miller), THIS IS ENGLAND (Ludovico Einaudi), THR3E (David Bergeaud), TIMBOEKTOE (Maarten Spruijt and Fred Vogels), TMNT: TEENAGE MUTANT NINJA TURTLES (Klaus Badelt), TOCAR EL CIELO (Lito Vitale), TOKYO TOWER (Hajime Mizoguchi), TOOTH AND NAIL (Elia Cmiral), TORTILLA HEAVEN (Christopher Lennertz), TOUS À L’OUEST: UNE NOUVELLE AVENTURE DE LUCKY LUKE (Hervé Lavandier), TRADE (Leonardo Heiblum and Jacobo Lieberman), TRANSFORMATION: THE LIFE AND LEGACY OF WERNER ERHARD (John Martyn), TRANSFORMERS (Steve Jablonsky), TRANSYLVANIA (Tony Gatlif), TRIAD ELECTION (Robert Ellis-Geiger), TRUANDS (Bruno Coulais), TRYPTYK RZYMSKI (Rafal Rozmus), TSUBAKI SANJURO (Michiru Oshima), TUTTE LE DONNE DELLA MIA VITA (Ennio Morricone)
  • U PANA BOGA W OGRODKU (Henri Seroka), UN BUEN DÍA LO TIENE CUALQUIERA (Jose Luis Moreno), UN SECRET (Zbigniew Preisner), UNA MOGLIE BELLISIMA (Gianluca Sibaldi), UNA MUJER INVISIBLE (Lucio Godoy), UNDERBAR OCH ÄLSKAD AV ALLA (Jesper Hörberg and Anders Lennartson), UNDERDOG (Randy Edelman), UNDISPUTED II: LAST MAN STANDING (Stephen Edwards), UNEARTHED (Joseph Bishara), UNFAIR: THE MOVIE (Norihito Sumitomo), UNO SU DUE (Francesco Cerasi), UNTIL DEATH (Mark Sayfritz), URMEL AUS DEM EIS (Jim Dooley), UV (Aude Brenner and Alban Schafer)
  • VACANCY (Paul Haslinger), VAMPIRE CONSPIRACY (Joseph Martin), VANAJA (Indira Amperiani and Bhaskara Narayanan), VENT MAUVAIS (Frederic Fortuny and Jeff Hallam), VEXILLE (Paul Oakenfold), VIER MINUTEN (Annette Focks), VITUS (Mario Beretta), VOCE DEL VERBO AMORE (Teho Teardo), VOLEURS DE CHEVEAUX (Johann Johannsson and Jeff Mercelis), VOLLIDIOT (Cecil Remmler and Stephen Remmler)
  • WAITRESS (Andrew Hollander), WALK HARD: THE DEWEY COX STORY (Michael Andrews), WAR (Brian Tyler), WAR DANCE (Thad Spencer), WARDEN OF THE DEAD (Teodosi Spasov), WARUM MANNER NICHT ZUHOREN UND FRAUEN SCHLECHT EINPARKEN KONNEN (James Last), WE OWN THE NIGHT (Wojciech Kilar), WEDDING DAZE (Peter Nashel), WEIRDSVILLE (John Rowley), WELCOME (Sajid-Walid), WHAT LOVE IS (Erik Godal), WHAT WOULD JESUS BUY? (Steve Horowitz and William Moses), WHITE NOISE 2: THE LIGHT (Normand Corbeil), WHO’S YOUR CADDY (Jon Lee), WHOLE NEW THING (David Buchbinder), WHY DID I GET MARRIED (Aaron Zigman), WICKED LITTLE THINGS (Tim Jones), WILD HOGS (Teddy Castellucci), WILD TIGERS I HAVE KNOWN (Nate Archer), WIND CHILL (Clint Mansell), WOLFSBERGEN (Loek Dikker), WRISTCUTTERS: A LOVE STORY (Bobby Johnston), WSZYSTKO BEDZIE DOBRZE (Michal Lorenc)
  • XXY (Andrés Goldstein and Daniel Tarrab)
  • YAJIKITA DOCHU TERESUKO (Goro Yasukawa), YE YAN (Tan Dun), YEAR OF THE DOG (Christophe Beck), YOU KILL ME (Marcelo Zarvos), YOUR MOMMY KILLS ANIMALS (Gregory Scarnici), YOUTH WITHOUT YOUTH (Osvaldo Golijov)
  • ZODIAC (David Shire), ZONE LIBRE (Jacques Davidovici), ZOO (Paul Moore), ZOOP IN ZUID-AMERIKA (Martijn Schimmer and Mario Zapata )

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