Movie Music U.K. Music Awards 1990



SCORE OF THE YEAR



COMPOSER OF THE YEAR



NEWCOMER OF THE YEAR



BEST SCORE - DRAMA OR ROMANTIC DRAMA

Special mentions should also go to ELMER BERNSTEIN for The Field and The Grifters, CARTER BURWELL for Miller’s Crossing, CARMINE COPPOLA for The Godfather Part III, MYCHAEL DANNA for Speaking Parts, RANDY EDELMAN for Come See the Paradise, DAVE GRUSIN for Havana, MARK ISHAM for Reversal of Fortune, MAURICE JARRE for Ghost, ENNIO MORRICONE for Hamlet, RANDY NEWMAN for Avalon, THOMAS NEWMAN for Men Don’t Leave, JEAN-CLAUDE PETIT for Cyrano De Bergerac, RYUICHI SAKAMOTO for The Sheltering Sky, and JOHN WILLIAMS for Stanley & Iris.



BEST SCORE – COMEDY OR ROMANTIC COMEDY

Special mentions should also go to STEWART COPELAND for Men At Work, JOHN DEBNEY for The Jetsons Movie, RANDY EDELMAN for Kindergarten Cop, CLIFF EIDELMAN for Crazy People, JACK ELLIOTT for Sibling Rivalry, JAMES HORNER for I Love You To Death, JAMES NEWTON HOWARD for Pretty Woman and Three Men and a Little Lady, DAVID NEWMAN for Ducktales: The Movie.



BEST SCORE - THRILLER, ACTION OR ADVENTURE

Special mentions should also go to BRUCE BROUGHTON for Narrow Margin, JOHN DU PREZ for Teenage Mutant Ninja Turtles, DANNY ELFMAN for Dick Tracy, DAVID MICHAEL FRANK for Hard To Kill, JERRY GOLDSMITH for The Russia House, JAMES HORNER for Another 48 HRS., MICHAEL KAMEN for Die Hard II: Die Harder, MARC SHAIMAN for Misery, MICHAEL SMALL for Mountains of the Moon, and HANS ZIMMER for Pacific Heights.



BEST SCORE - FANTASY, SCIENCE FICTION OR HORROR

Special mentions should also go to SIMON BOSWELL for Hardware, CARL DAVIS for Frankenstein Unbound, TREVOR JONES for Arachnophobia, and ERNEST TROOST for Tremors.



BEST ORIGINAL SONG

Special mentions should also go to CARMINE COPPOLA and JOHN BETTIS for "Promise Me You'll Remember" from The Godfather Part III, SHEL SILVERSTEIN for "I'm Checkin' Out" from Postcards from the Edge, and STEPHEN SONDHEIM for "What Can You Lose?" from Dick Tracy.



COMPLETE LIST OF ELIGIBLE SCORES (AND THEIR COMPOSER)



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