Movie Music U.K. Music Awards 1994

SCORE OF THE YEAR


COMPOSER OF THE YEAR


NEWCOMER OF THE YEAR


BEST SCORE - DRAMA OR ROMANTIC DRAMA

Special mentions should also go to MYCHAEL DANNA for Exotica, PETER DASENT for Heavenly Creatures, CLIFF EIDELMAN for A Simple Twist of Fate, ELLIOT GOLDENTHAL for Cobb and Golden Gate, MARK ISHAM for Nell, MARK ISHAM for Quiz Show, WOJCIECH KILAR for Death and the Maiden, ENNIO MORRICONE for Disclosure and Love Affair, THOMAS NEWMAN for Little Women, JULIAN NOTT for A Man of No Importance, RACHEL PORTMAN for Sirens, ZBIGNIEW PREISNER for Three Colours: Red, Three Colours: White and When A Man Loves A Woman, RYUICHI SAKAMOTO for Little Buddha, HOWARD SHORE for Nobody’s Fool, DEBBIE WISEMAN for Tom & Viv, ZHAO JIPING for To Live, and HANS ZIMMER for The House of the Spirits.


BEST SCORE – COMEDY OR ROMANTIC COMEDY

Special mentions should also go to RICHARD RODNEY BENNETT for Four Weddings and a Funeral, CARTER BURWELL for The Hudsucker Proxy and It Could Happen To You, MICHAEL CONVERTINO for The Santa Clause, PATRICK DOYLE for Exit to Eden, RANDY EDELMAN for The Mask, ROBERT FOLK for Trapped in Paradise, JERRY GOLDSMITH for Angie, GUY GROSS for The Adventures of Priscilla Queen of the Desert, JAMES NEWTON HOWARD for Junior, IRA NEWBORN for Ace Ventura: Pet Detective and The Naked Gun 33?: The Final Insult, DAVID NEWMAN for The Flintstones, RANDY NEWMAN for Maverick and The Paper, RACHEL PORTMAN for Only You, BRUCE ROWLAND for Lightning Jack, and MARC SHAIMAN for City Slickers II: The Legend of Curly’s Gold.


BEST SCORE - THRILLER, ACTION OR ADVENTURE

Special mentions should also go to GEORGE S. CLINTON for Mother’s Boys, JOHN DEBNEY for White Fang 2: Myth of the White Wolf, BRAD FIEDEL for Blink, DOMINIC FRONTIERE for Color of Night, JERRY GOLDSMITH for Bad Girls, JERRY GOLDSMITH for The River Wild, JAMES HORNER for Clear and Present Danger, JAMES NEWTON HOWARD for Intersection, MARK ISHAM for Romeo Is Bleeding, MARK MANCINA for Speed, JOEL McNEELY for Terminal Velocity, BASIL POLEDOURIS for Lassie and On Deadly Ground, GRAEME REVELL for No Escape, HOWARD SHORE for The Client, ALAN SILVESTRI for Blown Away, JOSEPH VITARELLI for The Last Seduction, CHRISTOPHER YOUNG for Dream Lover, and HANS ZIMMER for Drop Zone.


BEST SCORE - FANTASY, SCIENCE FICTION OR HORROR

Special mentions should also go to ENNIO MORRICONE for Wolf, J. PETER ROBINSON for Wes Craven’s New Nightmare, and COLIN TOWNS for The Puppet Masters.


BEST ORIGINAL SONG

Special mentions should also go to CAROL BAYER SAGER, JAMES NEWTON HOWARD, JAMES INGRAM and PATTY SMYTH for "Look What Love Has Done" from Junior, LEX DE AZEVEDO and DAVID ZIPPEL for "Far Longer Than Forever" from The Swan Princess, JUD J. FRIEDMAN, LAUREN CHRISTY and DOMINIC FRONTIÈRE for "The Color of Night" from Color of Night, JAMES HORNER and BROCK WALSH for “Twilight and Mist” from Legends of the Fall, PATRICK LEONARD, RICHARD PAGE and MADONNA for "I'll Remember" from With Honors, RANDY NEWMAN for “Ride Gambler Ride” from Maverick, RANDY NEWMAN for "Make Up Your Mind" from The Paper, DIANE WARREN for “Dream Away” from The Pagemaster, and DIANE WARREN for “Some Kind of Mystery” from The Shadow.


COMPLETE LIST OF ELIGIBLE SCORES (AND THEIR COMPOSER)


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