Movie Music U.K. Music Awards 1996

SCORE OF THE YEAR


COMPOSER OF THE YEAR


NEWCOMER OF THE YEAR


BEST SCORE - DRAMA OR ROMANTIC DRAMA

Special mentions should also go to BRUCE BROUGHTON for Carried Away and Infinity, MICHAEL CONVERTINO for Bed of Roses, CARL DAVIS for Anne Frank Remembered, GEORGE FENTON for The Crucible, ELLIOT GOLDENTHAL for A Time to Kill, DAVID HIRSCHFELDER for Shine, NELLEE HOOPER, CRAIG ARMSTRONG and MARIUS DE VREIS for William Shakespeare’s Romeo + Juliet, JAMES HORNER for Courage Under Fire and To Gillian on Her 37th Birthday, MARK ISHAM for Fly Away Home, ANDREW LLOYD-WEBBER for Evita, MARK MANCINA for Moll Flanders, THOMAS NEWMAN for Phenomenon, BASIL POLEDOURIS for It’s My Party, WILLIAM ROSS for The Evening Star and Tin Cup, ILONA SEKACZ for Antonia’s Line, HOWARD SHORE for Looking for Richard, JOHN WILLIAMS for Sleepers, PATRICK WILLIAMS for The Grass Harp, and GABRIEL YARED for The English Patient.


BEST SCORE – COMEDY OR ROMANTIC COMEDY

Special mentions should also go to ELMER BERNSTEIN for Bulletproof, BILL CONTI for Spy Hard, PATRICK DOYLE for Mrs. Winterbourne, GEORGE FENTON for Multiplicity, JOHN FRIZZELL for Beavis and Butt-Head Do America, MARVIN HAMLISCH for The Mirror Has Two Faces, JAMES NEWTON HOWARD for One Fine Day, MICHAEL KAMEN for Jack, DAVID NEWMAN for Matilda, RANDY NEWMAN for James and the Giant Peach, JOHN OTTMAN for The Cable Guy, MARC SHAIMAN for The First Wives Club, and HANS ZIMMER for The Preacher’s Wife.


BEST SCORE - THRILLER, ACTION OR ADVENTURE

Special mentions should also go to RANDY EDELMAN for Daylight and Diabolique, DANNY ELFMAN for Mission: Impossible, ROBERT FOLK for Maximum Risk, NICK GLENNIE-SMITH for The Rock, JERRY GOLDSMITH for Executive Decision, JAMES NEWTON HOWARD for Primal Fear, MARK ISHAM for Last Dance, REG POWELL for Alaska, HOWARD SHORE for Before and After, ALAN SILVESTRI for Eraser and The Long Kiss Goodnight, SHIRLEY WALKER for Escape from L.A., CHRISTOPHER YOUNG for Unforgettable, and HANS ZIMMER for Broken Arrow.


BEST SCORE - FANTASY, SCIENCE FICTION OR HORROR

Special mentions should also go to NORMAND CORBEIL for Screamers, GEORGE FENTON for Mary Reilly, ARTHUR KEMPEL for The Arrival, DANIEL LICHT for Hellraiser: Bloodline, and GRAEME REVELL for The Crow: City of Angels.


BEST ORIGINAL SONG

Special mentions should also go to TIM ATACK and DES’REE for “Kissing You” from William Shakespeare’s Romeo + Juliet, PATRICK DOYLE and RUSSELL JACKSON for “In Pace” from Hamlet, JAMES NEWTON HOWARD, JUD J. FRIEDMAN and ALLAN DENNIS RICH for "For The First Time" from One Fine Day, ANDREW LLOYD WEBBER and TIM RICE for "You Must Love Me" from Evita, BARRY MANN for “Love Led Us Here” from Muppet Treasure Island, BARRY MANN for “Something Better” from Muppet Treasure Island, ALAN MENKEN and STEPHEN SCHWARTZ for “Bells of Notre Dame” from The Hunchback of Notre Dame, ALAN MENKEN and STEPHEN SCHWARTZ for “God Help the Outcasts” from The Hunchback of Notre Dame, RANDY NEWMAN for “My Name Is James” from James and the Giant Peach, TOMMY SIMS, GORDON KENNEDY and WAYNE KIRKPATRICK for “Change the World” from Phenomenon, BARBRA STREISAND, MARVIN HAMLISCH, ROBERT JOHN LANGE and BRYAN ADAMS for "I've Finally Found Someone" from The Mirror Has Two Faces, and WEIRD AL YANKOVIC for “Spy Hard” from Spy Hard.


COMPLETE LIST OF ELIGIBLE SCORES (AND THEIR COMPOSER)


Home Page | Reviews A-M | Reviews N-Z | Composers | Links

Site copyright © 1997-2005, Jonathan Broxton/Movie Music UK. This review copyright © 2005. All rights reserved. The reviews and articles contained herein may not be published, broadcast, rewritten or redistributed without the prior written authority of the author. Some artwork and multimedia material are © various record labels and artists. All photos, multimedia and album artwork used are for non-profit making, promotional purposes, and no copyright infringement is intended.