Movie Music U.K. Music Awards 1998

SCORE OF THE YEAR


COMPOSER OF THE YEAR


NEWCOMER OF THE YEAR


BEST SCORE - DRAMA OR ROMANTIC DRAMA

In addition to the aforementioned five, BURKHARD DALLWITZ’s The Truman Show, MICHAEL KAMEN’s What Dreams May Come and THOMAS NEWMAN’s The Horse Whisperer are worthy of special note, and would easily have been nominated as “Best Dramatic Score” had the competition not been as strong.

Special mentions should also go to ELMER BERNSTEIN for Twilight, SIMON BOSWELL for Cousin Bette, CARTER BURWELL for Gods & Monsters, PATRICK DOYLE for Great Expectations, ANNE DUDLEY for American History X, CLIFF EIDELMAN for One True Thing, DANNY ELFMAN for A Civil Action, GEORGE FENTON for Ever After, ELLIOT GOLDENTHAL for The Butcher Boy, DAVID HIRSCHFELDER for Elizabeth, TREVOR JONES for The Mighty, ENNIO MORRICONE for Bulworth, DAVID NEWMAN for Return to Paradise, BARRINGTON PHELOUNG for Hilary and Jackie, NICOLA PIOVANI for Life is Beautiful, RACHEL PORTMAN for Beloved, GRAEME REVELL for Chinese Box, ILONA SEKACZ for Mrs. Dalloway, MARC SHAIMAN for Simon Birch, EDWARD SHEARMUR for The Governess, JOHN WILLIAMS for Saving Private Ryan and Stepmom, GABRIEL YARED for City of Angels, and HANS ZIMMER for The Thin Red Line.


BEST SCORE – COMEDY OR ROMANTIC COMEDY

Special mentions should also go to TEDDY CASTELLUCCI for The Wedding Singer, BILL CONTI for Wrongfully Accused, SHAUN DAVEY for Waking Ned Devine, RANDY EDELMAN for Six Days Seven Nights, GEORGE FENTON for The Object of My Affection and You’ve Got Mail, JOHN FRIZZELL for Mafia!, RICHARD GIBBS for Doctor Dolittle, DAVID HIRSCHFELDER for Sliding Doors, MICHEL LEGRAND for Madeline, ALAN PASQUA for The Waterboy, TREVOR RABIN for Jack Frost, and JONATHAN RICHMAN for There’s Something About Mary.


BEST SCORE - ANIMATION

Special mentions should also go to MARK MOTHERSBAUGH for The Rugrats Movie.


BEST SCORE - THRILLER, ACTION OR ADVENTURE

Special mentions should also go to JOHN BARRY for Mercury Rising, GEORGE S. CLINTON for Black Dog and Wild Things, ELIA CMIRAL for Ronin, TAN DUN for Fallen, DANNY ELFMAN for A Simple Plan, NICK GLENNIE-SMITH for The Man in the Iron Mask, JERRY GOLDSMITH for U.S. Marshals, HARRY GREGSON-WILLIAMS and TREVOR RABIN for Enemy of the State, DAVID HIRSCHFELDER for Out of Sight, MICHAEL KAMEN for Lethal Weapon 4, JOEL McNEELY for The Avengers, JOHN OTTMAN for Apt Pupil, GRAEME REVELL for The Siege, RYUICHI SAKAMOTO for Snake Eyes, LALO SCHIFRIN for Rush Hour, and CHRISTOPHER YOUNG for Hard Rain.


BEST SCORE - FANTASY, SCIENCE FICTION OR HORROR

Special mentions should also go to MARCO BELTRAMI for The Faculty, JOHN FRIZZELL for I Still Know What You Did Last Summer, ELLIOT GOLDENTHAL for Sphere, JERRY GOLDSMITH for Deep Rising, JERRY GOLDSMITH for Star Trek: Insurrection, JOEL McNEELY for Soldier, TREVOR RABIN for Armageddon, GRAEME REVELL for Bride of Chucky, EDWARD SHEARMUR for Species 2, MARK SNOW for The X-Files.


BEST ORIGINAL SONG

Special mentions should also go to JAMES HORNER and WILL JENNINGS for “Windsong” from Mighty Joe Young, MICK JONES, MARTI FREDERIKSEN and CHRIS DIFFORD for "The Flame Still Burns" from Still Crazy, TREVOR JONES and STING for "The Mighty" from The Mighty, ALLISON MOORER and GWIL OWEN for "A Soft Place To Fall" from The Horse Whisperer, ALANIS MORISSETTE for "Uninvited" from City of Angels, RANDY NEWMAN for "That'll Do" from Babe: Pig In The City, STEPHEN SCHWARTZ for "All I Ever Wanted" from The Prince of Egypt, STEPHEN SCHWARTZ for "Deliver Us" from The Prince of Egypt, STEPHEN SCHWARTZ for "Playing With the Big Boys" from The Prince of Egypt, DIANE WARREN for "I Don't Want To Miss A Thing" from Armageddon, and MATTHEW WILDER and DAVID ZIPPEL for "Reflection" from Mulan.


COMPLETE LIST OF ELIGIBLE SCORES (AND THEIR COMPOSER)


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